![]() To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. It sold 48,000 copies in its first week, debuting at number 10 on the Billboard 200.1 It has been awarded Gold by the RIAA. The album follows 2004s Siren Song of the Counter Culture. It was their second release on popular label, Geffen Records. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. The Sufferer & the Witness is the fourth album by American punk rock band Rise Against. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. ![]() So even with the occasional letdown, there's a lot to be said for Rise Against pulling everything off with as much substance and strength as they do the whole way through.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. Read honest and unbiased product reviews from our users. Essentially, The Sufferer & the Witness showcases Rise Against maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting. Find helpful customer reviews and review ratings for The Sufferer & The Witness at. The excellent "Prayer of the Refugee" jarringly alternates between plaintive guitars and weary singing to an empowered chorus and exploding rhythm section to affectingly address the plight of displaced families of war the frustrated disconnect distressing a troubled relationship is represented surprisingly well in "The Approaching Curve," with its driving use of spoken word and complementary female backing vocals. This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. When you omit stuff from a quote, its clearer to do it like this. On Metacritic, it scored 76/100 from 7 critics, indicating 'generally favorable reviews'.' It eases the reader in. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. From The Sufferer & the Witness: 'The Sufferer & the Witness - Rise Against'. BBC2 The Old Grey Whistle Test 10:50 - 11:50 pm BBC2 The Old Grey Whistle Test 10:50 - 11:50 pm. ![]() After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture. ![]()
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